How to choose the sound of Shijiazhuang theater
Release time:
2022-06-24
Summary: Shijiazhuang theater sound sound clear, fine timbre, strong penetration, and has a strong cast of sound pressure. Special steel is easy to crash the protection is not damaged. By making the industrial raw materials of the resin, it has good waterproof, sunscreen, moisture-proof, and mildew-proof functions, and adapts to the outdoor use of complex environments. High power aluminum washstand bass unit to ensure the carrying capacity of this system.
Shijiazhuang theater sound sound clear, fine timbre, strong penetration, and has a strong cast of sound pressure. Special steel is easy to crash the protection is not damaged. By making the industrial raw materials of the resin, it has good waterproof, sunscreen, moisture-proof, and mildew-proof functions, and adapts to the outdoor use of complex environments. High power aluminum washstand bass unit to ensure the carrying capacity of this system.
The main intention of Shijiazhuang theater sound as a theater sound project in stage performances is to portray artistic images with deliberately created and reproduced situations in stage plays. The artistic image depicted on the stage is not disorganized, but expresses the emotions of the characters in the play through the basic techniques of melody, rhythm, beat, and debugging, so it is particularly artistic in this kind of performance.
The sound engineer of Shijiazhuang Theater needs to know and know the intention of the stage play, make good use of the devices in his hand, and cooperate with the artists' singing, reading, doing, playing and band performance to transform the works into beautiful movements, thus making the stage works have artistic appeal. In detail, a good stage work expresses the author's inevitable thinking and feelings from the creation of the script to the editing and orchestration of the music. Artists and band players should express this feeling with their own movements and playing tricks. Through singing and playing this art form, the audience can be infected, so that the audience can deeply feel the inner thinking of the play's intention while enjoying the art. The theater sound engineer must also accurately express this emotion during the intended operation of the play, including the planning selection and manufacturing modification of the natural sound.
This requires the sound engineer to first know the inner thinking of the play's intention, and then, according to the concept of sound aesthetics, grasp the singing personality of a play artist and the balance and level of the band's score, etc. to make and replay the dynamic and static effects. Only by doing these can he give full play to his creative potential. If you do not have the necessary artistic self-cultivation, you will not be able to have a comparative and in-depth knowledge of artistic works, and you will not be able to complete the re-creation of artistic works through the audio equipment you grasp.
In professional sound engineering, it is also necessary to follow the principles of sound aesthetics. This is because theater sound engineers must balance the sound parts of band performance and artistic singing in stage performance, and also need to make clear the primary and secondary volume distribution. For example, the levels of main performance and score music should be clear, and their frequencies should be continuously adjusted according to the different types, strength and timbre of musical instruments.
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