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There's something about live acoustics that's always exciting. The direct interaction between the performer and the audience, the potential for anything to happen, and the need to get everything right in the first place-these make the live mix so fascinating. As input/output requirements increase and systems become more complex, it is potentially dangerous to focus on the technology rather than the performance itself.

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Introduction of dLive series (flagship large digital mixer system)

There's something about live acoustics that's always exciting. The direct interaction between the performer and the audience, the potential for anything to happen, and the need to get everything right in the first place-these make the live mix so fascinating. As input/output requirements increase and systems become more complex, it is potentially dangerous to focus on the technology rather than the performance itself. Our design goal for dLive was to create the ultimate mixing system, with a large number of processing options and the flexibility to meet the most demanding live environments, while providing engineers with intuitive tools to control everything at their fingertips, freeing them to focus on the live mixing experience.